Feared and revered, the awesome power of the feminine

When I first heard about ‘Feminine power: the divine to the demonic‘, a show at the British Museum that opened in May 2022, I considered whether flying from Melbourne to London to see it was excessive. Thankfully, I didn’t have to answer that question. A few months after it closed in September 2022, the exhibition came across the pond. It landed at the National Museum of Australia in Canberra as ‘Feared and Revered: Feminine Power through the Ages‘. It was time for a short holiday.

My husband and I spent a long weekend in Canberra, and I’ll tell you more about that in another blog entry. This one is dedicated to the ‘Feared and Revered: Feminine Power through the Ages’ exhibition.

‘Feared and Revered: Feminine Power through the Ages’ showcases the diversity of female spiritual beings worldwide from about 2800 BCE to the present. It features goddesses, demons, witches, and other female figures organised around five broad themes: creation and nature; passion and desire; magic and malice; justice and defence; and compassion and salvation.

In Canberra, the show is almost twice as big as in London, with nearly 160 objects. It includes familiar Greek, Roman, and Egyptian goddesses, the Hawaiian volcano goddess Pele, the Bodhisattva Guanyin, and the Judeo-Christian figures Lilith, Eve, and Mary. There’s also a copy of the Malleus Maleficarum and the Witches’ Sabbath, a woodcut print from the end of the Middle Ages. The exhibition also includes modern pieces such as Judy Chicago’s Creation from 1985. It is supplemented with art by Australian First Nation artists, plus a costume worn by Kylie Minogue in her 2011 Aphrodite: Les Folies tour.

These photos are a few of my favourites. For more photos and videos, follow me on Instagram.

Feared and Revered: Feminine Power through the Ages

Female figure from the Cyclades, Greece about 2800 BCE.
Female figure from the Cyclades, Greece about 2800 BCE.
Statue of Demeter, Greece, 100-200 CE.
Statue of Demeter, Greece, 100-200 CE.
Statue of Sekhmet, Egypt, about 1391-1353 BCE.
Statue of Sekhmet, Egypt, about 1391-1353 BCE.
A statue of Isis and Osiris from Egypt, 590-530 BCE.
A statue of Isis using her wings to shield Osiris. Dedicated by a male official named Sheshonq, in the inscription around the base, he honours Isis as "Mistress of the Sky and Mistress of all the gods, who proects Osiris and overthrows his enemies". Sheshonq asks Isis for a long life and beautiful burial. This statue is from Egypt, 590-530 BCE.
A Roman gravestone depicting a priestess of Isis.
A gravestone that commemorates a woman named Isias, probably a priestess of Isis. She carries a key symbolising her guardianship of the temple. Smyrna (modern Izmir in Turkey), 100 BCE - 100 CE.
Hathor holding a sistrum, Egypt, 1292-1189 BCE.
Hathor holding a sistrum, Egypt, 1292-1189 BCE.
Stone carved figure of Sheela-na-gig, Ireland, 1100-1200 CE.
Sheela-na-gig, Ireland, 1100-1200 CE.
Queen of the Night, painted clay relief, Iraq, about 1750 BCE.
Queen of the Night, painted clay relief, Iraq, about 1750 BCE. This relief is believed to depict the Mesopotamian goddess Ishtar.
Statue of Venus, marble, Rome, 100-150 CE.
Venus, marble, Rome, 100-150 CE.
A wedding vase designed to hold water for a pre-wedding bath features Aphrodite. Campania, Italy, 340-320 BCE.
A wedding vase designed to hold water for a pre-wedding bath features Aphrodite. Campania, Italy, 340-320 BCE.
A Roman bust of Minerva, Rome, 1-160 CE.
This Roman bust of Minerva (Rome, 1-160 CE) was based on an earlier Greek statue of Athena (about 400 BCE).
Statue of Hekate, Rome, 161-200 CE.
Hekate, Rome, 161-200 CE. The inscription around the base records that the statue was dedicated to Hekate by "Aelius Barbarus, freedman of the emperors."
Antefix of Medusa. Capua, Campania, Italy, about 500 BCE.
This terracotta antefix of Medusa was attached to a roof to ward off evil. Capua, Campania, Italy, about 500 BCE.
Icon of Kali, India, 2021 CE.
This icon of Kali was made in 2021 CE for this exhibition by Ghosh, a Kolkata-based artist who creates sculptures of Hindu deities for temples and festival parades.

As a Pagan and a devotee of several goddesses represented here, attending an exhibition like this is almost a pilgrimage. I’m always excited to see ritualistic objects made by believers for a community of believers. Hundreds, even thousands, of years later, they are intriguing; some still feel full of energy.

From a feminist perspective, the exhibition raises many questions. It dances around stereotypes and neutrality. It fails to consider, for example, what these powerful feminine figures mean within patriarchy and how men and women perceive feminine power differently. Those are big questions for us to continue thinking about.

Feared and Revered: Feminine Power through the Ages‘ is at the National Museum of Australia in Canberra until 27 August.

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